Thursday 28 January 2021

CRR 3: SKILLS DEVELOPMENT

Today and tomorrow you are making a start on your CCR tasks. To keep this orderly, please create 4 PAGES labelled CCR1, CCR2, CCR3, CCR4. Each refers to the bullet points below (look down). Keeping your work in Pages will help you organise as you do each bit by bit, and will enable me to check easily to guide you. After creating the Pages, check each box to make them visible.

Deadline for completion: Thursday 11 February

At the top of each Page, write out the task in full exactly as you see it below.

For example

CREATIVE CRITICAL REFLECTION 3: How did your production skills develop throughout the project?

You will use different platforms to present each but before you get to that stage, you need to think and gather your facts / evidence. We are starting now as it is possible to do a great deal of these tasks before completing the actual filming.

Today, please start with CCR3. There are polished final answers below, but to start with, you will need to gather your evidence. 

You will use an infographic layout for this, like PIKTOCHART. 

When you have written out your wording, then paste it into your chosen infographic layout with the images to illustrate it.

CREATIVE CRITICAL REFLECTION 3: How did your production skills develop throughout the project?

Use PIKTOCHART for this presentation to present the response to:

Your title could be:MY PRODUCTION SKILLS DEVELOPMENT 

The order to approach this is chronological ( = what you did first) so the work flow is Preliminary Exercises, Research, Planning, Construction, then Evaluation. We can at the moment cover part way into Construction (as we have done some filming and perhaps a bit of editing). WE will complete this task later but break the back of it now.

The question asks for specific, detailed evidence of what you have learned how to do, using critical reflection in your expression and creativity in your presentation.

Start with your Preliminary Exercises: what did you set out to achieve and how did you show what you had learned? You have 4 separate topics here: the exercise on camera angles & shot types; the 'on the set' post; the continuity exercise; the 'table top' exercise, which was a proper film opening practice complete with live action filming, editing in titles and credits, and laying down a soundtrack.

  • Camerawork (shot types / angles and what they are used to draw attention to, like CUs, ECUs), 
  • using equipment (identify it), bubbling the tripod
  • lighting exercises
  • filming and editing an opening sequence (genre conventions; rostrum shots; adding title; adding credits; selecting soundtrack; adjusting sound levels and adding spot sounds); creating a sense of enigma
  • filming and editing a continuity sequence (establishing shot, two-shot, shot-reverse shot, motivated edit, point of view shot); editing to create pace
RESEARCH What did you learn about the importance of researching genre and audience? How did your planning skills develop? Did you collate work using platforms like Piktochart, Scoopit? Did you create an audience questionnaire and then collate the results?

PLANNING Did you use iMovie to hot-seat characters, with scripts prepared for interviews?

CONTRUCTION When cameraman, what techniques did you use and improve?
When editing, what techniques did you use? Did feedback make you look critically at the sequence order and pace of your editing?

What lighting issues did you encounter when filming? Did you learn to learn to adjust levels when editing?

When recording sound, what challenges did you encounter that you had to solve?

Did you make props using PhotoShop for your production?
Did you make videos or sound files to use in your film?

Did you design a Production Company ident? How did you make it and what new skills did you use? You may have used FinalCut, StopMotion, Giffy.

EVALUATION During the reflective process of your Creative Critical Reflections, what new platforms did you use, such as infographics like Piktochart, slide presentations like Slideshare, Visme, Canva?
 

Tuesday 26 January 2021

TV DRAMA: AE FOND KISS

We celebrate Burns Night - this year, marked on Monday. Burns is a beloved Scottish poet.

This extract is actually the opening five minutes of a film called Ae Fond Kiss (dir, ken Loach 2004), but it works very well for the purposes of analysing the representation of people, places and issues. It is set in Glasgow and the title means 'one sweet kiss'. 

These words are also the title of Burns' famous Scottish poem set to music: 'ae fond kiss, and then we sever / ae farewell and then forever'. The song plays over the end of the dramatic opening to this extract.

Need to know facts:

Place: Glasgow

Characters: Casim Khan, brother to rebellious Tahara, who struggles to find herself between the bullying of some Scottish schoolmates and her Pakistani relatives.

Roisin, music teacher


PREP tonight : watch this presentation that will help you with terms relating to representation like connotation and denotation. It takes 9 minutes.

Semiotics analysis for beginners! | How to read signs in film | Roland Barthes Media Theory


 
We watched Ae Fond Kiss and analysed representations of people, places and ideas:

PEOPLE what it is like to be a first and second generation Pakistani immigrant living in Glasgow; what it is like to be bullied at school like Tahara
PLACES Glasgow, the night club with bhangra music and Bollywood films; the traditional corner shop selling fruit and veg run by Tarara's father Mr Khan; a conventional Catholic school
IDEAS what it is like to be stereotyped as a terrorist just because you are Muslim; can you fall for a white Catholic girl if you are a Muslim boy from a traditional family and your father expects an arranged marriage?

For prep, you watched a presentation on Semiotics with vocabulary like sign, denote, connote, naturalised sign, Roland Barthes. Please make a blog post on what you learned.

Due date is Friday 12 February.
Post title SEMIOTICS

Barthes' Semiotic Theory broke down the process of reading signs and focused on their interpretation by different cultures or societies. According to Barthes, in The Rhetoric of the Image signs had both a signifier, being the physical form of the sign as we perceive it through our senses and the signified, or meaning that is interpreted.
You could support your points with a screenshot from Tales Of Terror From Tokyo

 


CITIZEN JOURNALISM & LIVE HISTORY

BFI Media Conference presentation: download pdf from this page HERE - scroll down the list



UNDERSTANDING HEGEMONY

We subscribe to the Media Magazine, from where this article on Hegemony was taken. Acknowledgements to Claire Pollard, the author.






 


 

Friday 22 January 2021

POWER & THE MEDIA 1

"The media construct identity." How far do you agree with this view?

In your second year exam, you have a compulsory question on this topic Power and the Media. In our classes, we will be exploring how film, TV, the press and advertising construct representations of different groups. For example, we look at representations of gender and of Asian and Black identity. The full A2 course is here. Think about your recent analysis of gender (and disability) in Agent Carter.

Today, we start with the concept of Orientalism and the 'othering' of different cultures. 

The media have huge power to construct representations and to perpetuate stereotypes. Stuart Hall, Professor of Sociology at the Open University in the field of cultural studies, emphasises the importance of the concept of representation, a term which I understand to relate to the accuracy or distortion of the reflection of a person, group or idea. Although he argues for audiences having an active role in understanding media representations, for Hall, communication is always linked with power and those groups who wield power in a society influence what gets represented through the media.

We also start viewing a major text the film Yasmin - all parts available online. It stars the brilliant Archie Panjabi.
Yasmin is a compelling and topical personal drama of what it means to be Asian, Muslim and British in the 21st century, told from the viewpoint of a Westernised woman working in Britain while living in her own traditional culture.


Orientalism is an attitude that entails the stereotyping of Arab peoples and culture as exotic, backwards, uncivilized and sometimes dangerous. Orientalism emphasises, distorts and exaggerates differences between the West (Europe and the US) and the East. Edward Said was a founder of the field of post-colonial studies and his work Orientalism was a foundational text.

We watch the presentation below here

For Edward Said, the West constructs the East as an inferior ‘other’ in need of Western intervention and rescue; this was to rationalise the colonisation of the Arab world. From the 19th century onwards, popular paintings, literature, postcards, cartoons  - that is, contemporary media - all portrayed certain stereotypes of Arab culture as an exotic and dangerous place of sand, belly dancers and hareems, with women exoticized and eroticized. It relates to the media because of its power to shape perceptions about identity. Said declared: “The sense of Islam as a threatening Other - with Muslims depicted as fanatical, violent, lustful, irrational - develops during the colonial period in what I called Orientalism. The study of the Other has a lot to do with the control and dominance of Europe and the West generally in the Islamic world. And it has persisted because it's based very, very deeply in religious roots, where Islam is seen as a kind of competitor of Christianity.” He argued that the West controlled the representations of the East through their invasions and settlements, their teachings and authorised views. He saw Orientalism as a Western style for dominating, restructuring and having authority over the Orient; he saw the ‘justification’ as every empire telling itself that its mission is not to plunder and control but to educate and liberate.




Thursday 21 January 2021

TV DRAMA : THE WIRE & TIMELESS

Our exam question will ask about how representations are created.

THE WIRE Season 1 Opening and intro
 
TIMELESS TV drama series trailer here 
Timeless is currently available on Netflix and really worth getting to know as it introduces you to so many different periods in US history each with their own mise-en-scène.
 
In class, you (the 16-34 demographic) confirmed that you were all Netflix subscribers.
Contrast Netflix's increased take-up with the BBC's corresponding reduction in viewing figures. Read the article below:

BBC ‘complacent’ about exodus of young viewers

 

 


 
 
 

Friday 15 January 2021

MEDIA ECOLOGY

In GoogleMeet today, we start by understanding the term 'media ecology' and explore some of the main ideas presented by Marshall McLuhan and Don Tapscott. You have been emailed two documents, which you save in a new desktop file entitled MEDIA ECOLOGY.

As we look at these ideas and theorists, it is useful to bring to mind what is happening in the media world at the moment. 

For example, President Trump has this week been banned from Twitter, FB and Instagram: why, and is it a good or bad thing? Why has Jack Dorsey the CEO of Twitter himself expressed concerns? What is the relationship between freedom of expression and social media? 

Consider the ways in which the technology of communication has changed in your lifetime / your parents' time / your grandparents' time. Apart from the benefits of your smart phone, what are the downsides? Consider issues like addiction, distraction, sleep interruption, 'never off' scrolling, social disruption, 'never-ending' workday, threats to personal privacy as photos are in the public domain, spam, loss of vital data, health problems, surveillance, theft / crime, conflict minerals, peer pressure, living vicariously... in no particular order.

Why is the Online Harms Bill 2021 considered necessary?


What is media ecology? Media Ecology Association answer

Marshall McLuhan - Technological Determinist - 1964

No single individual is more central to media ecology than McLuhan, not because he was the first to employ this perspective, but rather because he popularized the perspective, and produced the first great synthesis of media ecological thought.

 

McLuhan was viewed as a Technological Determinist in that he viewed technology shaping us, rather than viewing people dictating how the technology will be used.

Clark, D.R. (2004). History of Knowledge. Retrieved from http://www.nwlink.com/~donclark/history_knowledge/mcluhan.html

Marshall McLuhan (1911-1980) foresaw the approaching changes in that it would bring about a new society characterized by greater connectivity and networking:

Whereas in the mechanical age of fragmentation leisure had been the absence of work, or mere idleness, the reverse is true in the electrical age. As the age of information demands the simultaneous use of our faculties, we discover that we are most at leisure when we are most intensely involved, very much as with the artists in all ages - Marshall McLuhan in Understanding Media: The extensions of man (1964).

McLuhan was viewed as a Technologically Determinist in that he viewed technology shaping us, rather than viewing people dictating how the technology will be used.

He is probably most famous for declaring that the medium is the real message (Understanding Media: The Extensions of Man, 1964). Later, McLuhan and Quentin Fiore wrote and illustrated the ability of media to “massage” a message or content (The Medium is the Massage: An Inventory of Effects, 1967):

The message of any medium or technology is the change of scale or pace or pattern that it introduces into human affairs. The railway did not introduce movement or transportation or wheel or road into human society, but it accelerated and enlarged the scale of previous human functions, creating totally new kinds of cities and new kinds of work and leisure. This happened whether the railway functioned in a tropical or northern environment, and is quite independent of the freight or content of the railway medium. Understanding Media, N. Y., 1964, p. 8)

However, later in life, he came to a different conclusion. In Paul Saettler's The Evolution of American Educational Technology (1990, p. 274), Saettler writes, “During the last years of his life, McLuhan changed some of his earlier ideas. He became less certain, for example, in ascribing a causal link between media and personal perception. Where he once saw the human being as a passive responder to media, he came to believe that individuals are active creators of their own environments.”

Saettler further writes that McLuhan's provocative pronouncements stimulated much of the creative thought that we now have about media. Thus, the medium is simply the carrier, while what we do in or through media are the real promoters of learning. Get the learning methodology correct and the media, rather it be large classrooms, small group activities, or asynchronous eLearning will simple be a vehicle for transporting that methodology to the learners.

The Tetrad (Four laws of media)

In his later years, and partially as a response to his critics, McLuhan, along with his son Eric, wrote Laws of Media: The New Science (1988), in which he develops a scientific basis for his thought around what he termed the tetrad— four laws for looking at our culture, framed as questions, to a wide spectrum of humankind's endeavours. He postulates that all media exhibits these four types of effects:

  • Enhancement or extend: new media provides improved performance over the old
  • Obsolescence: new media renders previous models passe
  • Retrieval: new media contains existing elements from the cultural inventory
  • Reversal: we tend to overdo the new until we run out of benefits and into detriments

Thus, four questions may be asked of any new media or technology:

  • “What does it extend?” — For a bicycle, it would be the foot, for a phone it would be the voice.
  • “What does it make obsolete?” — The bicycle makes walking obsolete, and the phone makes the telegraph unnecessary.
  • “What is retrieved?” — a bicycle allows travel, while a phone allows a sense of community.
  • “What does the technology reverse into if it is over-extended?” — An over-extended bicycle culture longs for the pedestrian lifestyle, and the over-extension of phone culture engenders a need for solitude and face-to-face conversations. An example, please, class?

This is a fairly important concept for it allows us assess the cause and effects of new technologies. For example, elearning:

  • Intensifies multimedia presentation as a form
  • Renders classroom training as obsolete
  • Retrieves many elements of training
  • Is reversing itself into a blended approach for greater flexibility

The Internet:

  • Intensifies the speed of access and networking Open University, FutureLearn, Centre of Excellence
  • Makes distance and print monopolies obsolete JSTOR, online resources, news, citizen journalism
  • Retrieves media such as text and pictures
  • Is reversing into obsession with data and information overload

Don Tapscott – Four principles for the open world - 2012

TedTalk https://www.ted.com/talks/don_tapscott_four_principles_for_the_open_world#t-43365

What does Tapscott mean by ‘openness’? (There is a transcript)

·      1.Collaboration; idea of agora (open market) to orchestrate capability; in the sense of the boundaries of organizations becoming more porous and fluid and open. 

·      2. Transparency is about the communication of information; letting in the sunlight; institutions are no longer naked

·      3. Sharing: embracing the commons is about giving up intellectual property, for example, IBM giving 4 hundred million dollars of software to the Linux movement which then gave them a multi-million dollar payoff.

·      4. Empowerment The distribution of Knowledge, Power: the age of networked intelligence decentralisation. The Arab Spring & new media; how mobile phones triangulated the positions of government snipers killing unarmed students in the streets during the Tunisian revolution; how Twitter in Syria saved lives;

Digital native / the net generation

Twelve Themes of the New Economy - 1996

Don Tapscott has written about the impact of digital networking on our economy. In The Digital Economy: Promise and Peril in the Age of Networked Intelligence (1995) and in a more recent book, Growing Up Digital: The Rise of the Net Generation (1998), he forecasts the coming influence of the demographic of wired kids born since 1978. The key technology is the I-way:

Just as the highway system and electrical power grid were the infrastructure for the industrialist economy, so our information networks will be highways for the new economy. - Don Tapscott

The Twelve Themes of the New Economy (1996)

At the heart of Tapscott's analysis are twelve themes which differentiate the new economy from the old:

  • Knowledge is everything — from smart clothes to smart roads.
  • Digital not analog — email, not post office.
  • Virtual means physical things can become virtual — from virtual ballot boxes to the virtual job.
  • Molecularization of old organizations are replaced by dynamic clusters of individuals.
  • Internetworking through clusters networks rather than hierarchies.
  • Disintermediation of the middle functions between consumers and producers are being eliminated through digital networks.
  • Convergence Computing, communications, and content industries are converging to become the leading economic sector.
  • Innovation Obsolete your own products. If you don't do it first, your competitors will... If it ain't broke, break it before your competitors do.
  • Prosumption through customization combining production and consumption.
  • Immediacy becomes a key driver — just in time is everything.
  • Globalization with transnational systems.
  • Discordance issues are rising due to as unprecedented social conflicts.

Neil Postman

 

https://quizlet.com/3734017/media-ecology-theory-flash-cards/

 

Neil Postman, Amusing Ourselves to Death (1985)

No media ecologist outside of McLuhan himself has enjoyed Postman’s success as a writer. Postman was also the founder of the media ecology program at New York University. In this, his best known book, he both explains the perspective (under the guise of media epistemology) and uses it to critique the role of television in contemporary American culture. Amusing Ourselves to Death is one of the most frequently cited works in the media ecology literature, this is also the final work in Postman’s television trilogy, complementing Teaching as a Conserving Activity (1979) and The Disappearance of Childhood (1982).

What Is Media Ecology? (Neil Postman)

Media ecology looks into the matter of how media of communication affect human perception, understanding, feeling, and value; and how our interaction with media facilitates or impedes our chances of survival.

The word ecology implies the study of environments: their structure, content, and impact on people.

An environment is, after all, a complex message system which imposes on human beings certain ways of thinking, feeling, and behaving.

  • It structures what we can see and say and, therefore, do.
  • It assigns roles to us and insists on our playing them.
  • It specifies what we are permitted to do and what we are not. Sometimes, as in the case of a courtroom, or classroom, or business office, the specifications are explicit and formal.

In the case of media environments (e.g., books, radio, film, television, etc.), the specifications are more often implicit and informal, half concealed by our assumption that what we are dealing with is not an environment but merely a machine.

Media ecology tries to make these specifications explicit.

It tries to find out what roles media force us to play, how media structure what we are seeing, why media make us feel and act as we do.

Media ecology is the study of media as environments.

Neil Postman, “The Reformed English Curriculum.” in A.C. Eurich, ed., High School 1980: The Shape of the Future in American Secondary Education (1970)

Sherry Turkle, Alone Together (2011)

 

Turkle provides an incisive critique of AI and robotics, and social media, based on interviews and observation. This book was followed up by Reclaiming Conversation in 2015.

TedTalk https://www.youtube.com/watch?v=eGFWLdEbvOY