Tuesday, 10 December 2019

FILM INDUSTRY ESSAY PREPARATION


THREE ITEMS FOR TODAY In today's lesson, to prepare for your holiday day essay which I will give you tomorrow, please read carefully the following.

Below, with the red heading, is the subject content. In today's lesson, you should get to know what key terms mean, like cross-media convergence, synergy, technological convergence, marketing, distribution and so on. On your laptop, write your own list of key terms. Writing them down will help you remember them. You need to know what 'consumption' means, for instance, in relation to the film industry.

You can use the search engine on our class blog to check meanings.
There are text books on the bookshelf by the door.
Online sites to find meanings of terms:
EDUQAS Glossary
MediaKnowall for AL students
MediaKnowall for GCSE

The next step is to go through our case studies. You can open these links:
Roma (2018, director Alfonso Cuaron)
Legend (2015 director Brian Helgeland)
Rogue One A Star Wars Story (2016, director Gareth Edwards) 
Avengers: Endgame (2019)
We are also going to prepare Captain Marvell but we haven't done this together yet.

Finally, write a paragraph about your own experiences of watching films (= "media consumption") and how your consumption of film is typical /atypical. To see some pointers on 'trends', look on the class blog below, as the .final bullet point context asks you to discuss

“The ways in which candidates’ own experience of media consumption illustrate wider patterns and trends in audience behaviour.”

TO USE EXAMPLES OF PERSONAL CONSUMPTION "As a teenager, I.." "People of my age, such as my friends..." "My preference is for..." "I usually find out about films from..." "When I go to the cinema..." Give your reasons - price, convenience, fast /slow internet provision, companionship / when alone /mobile; quality of experience

TRENDS in film consumption (=viewing films)
- UK cinema-going is strong (cinema admissions 2018: 177 million; 2017: 170 million; 2016: 168 million. Source FDA Yearbook 2019)
 - cinema exhibition (where you would also see trailers promoting similar films in ideal conditions with Dolby Surround Sound, wide screen etc)
- choice of IMAX with huge screens, 3D for particular films
technology that is already taking massive strides in this direction is Dolby Atmos, a new generation of surround sound technology that supports up to 128 discrete audio tracks and up to 64 unique speaker feeds, (compared to six or eight in most commercial cinemas).

- digital consumption of films and other entertainment content continued to strengthen in 2018, although sales of DVDs and BluRay fell. They are still valued for family events, as franchise collector's pieces and as gifts.
- However, the video market rose to 3.2 billion thanks to continued growth in digital consumption via download platforms (Amazon, Apple, SkyStore)   and streaming services (Netflix, Amazon Prime Now TV).


- The best selling videos of 2018 were The Greatest Showman, Avengers Infinity War, Mama Mia: Here We Go Again, Star Wars:The Last Jedi, Paddington



- home cinema with tv screens of high quality + access to many online platforms;; VoD; catch up TV, BBC iPlayer, BBC Sounds
- Home cinema /home viewing no longer refers to just broadcast content, with streaming and downloading, on laptops, smartphones for individual, mobile and interactive benefits.  Read this article on streaming services explained.
- Across all devices, in 2017, people's total TV and audio-visual daily viewing was about 5 hours daily, with 70% of this broadcast TV but the remaining 30% was YouTube and subscription on demand services such as Netflix and Amazon Prime. 
- Broadcast TV viewing decreased but non-broadcast content increased, enabled by increased broadband speeds and increased use of connected TVs. The change in viewing habits is driven by younger viewers, who watch more non-broadcast than broadcast content: in 2017, 16-34s watched an average of 2 hours 37 minutes of non-broadcast content daily across all devices.
- By contrast, the profile of TV viewers continues to get older with over-54s now making up half the audience in the UK.
- 80% of UK adults have a smartphone and 7 in 10 commuters use them.
Source: FDA Yearbook 2018. Market analysis Jan 2019



5 hours 1 minute 
- where you hear about films, watch trailers
- how you use social media to make decisions about films; film websites, Twitter, Instagram feeds
- how distributors are editing for phones
- how marketing campaigns use social media, tie-ins, merchandise ads


FILM INDUSTRY: CAPTAIN MARVELL

Below is a case study on Captain Marvell, made using a questionnaire.

Please use the questionnaire to investigate .....another film
https://disney.co.uk/movies/captain-marvel

 Who produced the film? 


• Who directed the film?  Anna Boden, Ryan Fleck   
                          
• What other films have they directed? 

 What was the budget? $118.6 million

    • Who stars in it? 
    Brie Larson: Marvel Studios' landmark movie featuring its first female lead.
    Jude Law as Yon-Rogg

    • What other films have they been in?

     What technology has been used to make the film? (What cameras did they use? How was the film edited? What CGI was involved?) 
    https://www.inverse.com/article/54303-captain-marvel-nick-fury-de-aging-technology-vfx-interview-exclusive


    • How was the film marketed? Which different marketing tools were used?
    Official trailer 1
    Fan trailer here A new Captain Marvel fan video breaks down the movement trying to derail the film in what may well be the best piece of marketing the movie has received to date.
    Comedians Kirk Deveyck and Julien Keermelckbrugge released the video on their social media channels as part of their ongoing #MarvelFansUnited campaign. Their viral videos promote upcoming releases and, right now, all their attention is directed to Brie Larson as Carol Danvers.
    It just seemed like an interesting party to join in with at an interesting time in their ascendancy,” Law said of joining the Marvel Cinematic Universe in an interview last year. “That to me is an interesting playground to work in because suddenly you’ve got filmmakers who are looking at humor and script work and character, within an infrastructure that is obviously capable of creating enormous universes and worlds and special effects — while also not bogging down the creativity of the director.”
    Captain Marvel will arrive in theaters on March 8th. Upcoming Marvel Cinematic Universe movies include Avengers: Endgame on April 26th and Spider-Man: Far From Home on July 5th.
    'Captain Marvel' Featurette Finally Confirms Jude Law's Role
    One of the biggest mysteries throughout the production and advertising for Captain Marvel has been the identity of Carol Danvers' Kree mentor, played by Jude Law. It was initially believed, and reported, that he was playing Mar-Vell, but then several toy leaks and packages made it seem as though he'd be playing Yon-Rogg. Through all of the rumors and grumblings online, there had been nothing in the way of confirmation from Marvel Studios. That is, until today.
    A new behind-the-scenes featurette has put the issue to rest once and for all; Jude Law is Yon-Rogg, end of story.On Friday, Marvel shared a video that saw the cast and crew of the film talking about the overarching storyline surrounding Captain Marvel: the war between the Kree and the Skrulls. When Law appeared on the screen for the first time in the clip, the lower third beneath him revealed his character's name, Yon-Rogg.
    'Captain Marvel' throws back to the '90s with optical illusion posters
    TWITTER
    Here's the brand new @EW cover for Marvel Studios' #CaptainMarvel⁠ ⁠! Read more: bit.ly/2GRdjkj
    I ❤️ 90’s #TBT #CaptainMarvel⁠ ⁠

     • What examples of synergy with other products/merchandise can you find? 
    Comics, TV series, an interconnected web of films; merchandise here in the Disney Store

    Available on DVD, Blu-Ray & Digital Download

    It's all about the Marvell Cinematic Universe. Read this 

    The films of the MCU offer numerous intertextual references but each film is a story in its own right.


    The creation of the Fantastic Four effectively launched the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron Man, Captain America, and the X-Men catapulted Marvel past its primary rival, DC Comics, for domination of the comic book market. Since the 2000s, the company's iconic characters have leaped from page to screens with the creation of the Marvel Cinematic Universe, which includes everything from live-action film franchises of Iron Man and the Avengers to television and streaming media, including the critically acclaimed Netflix series Daredevil and Jessica Jones. Marvel, now owned by Disney, has clearly found the key to transmedia success.
    Make Ours Marvel traces the rise of the Marvel brand and its transformation into a transmedia empire over the past fifty years. A dozen original essays range across topics such as how Marvel expanded the notion of an all-star team book with The Avengers, which provided a roadmap for the later films, to the company's attempts to create lasting female characters and readerships, to its regular endeavors to reinvigorate its brand while still maintaining the stability that fans crave. Demonstrating that the secret to Marvel's success comes from adeptly crossing media boundaries while inviting its audience to participate in creating Marvel's narrative universe, this book shows why the company and its characters will continue to influence storytelling and transmedia empire building for the foreseeable future.

    In 2003 a new COO, David Maisel wanted to take Marvel in a new direction: original filmmaking. He spearheaded a move to secure funding from a major investment bank, using as collateral the remaining heroes, many of them "second-tier superheroes, who may not resonate with younger moviegoers" to try to build a new cinematic empire. Seemed like a risky maneuver, but when the original "Iron Man" made waves in 2008 as not only a good superhero flick (low bar) but as a good action movie (higher bar) it seemed Maisel may have been onto something.
    The concept of post-credits scenes was created by Feige, and the MCU was born. The idea that movies from different directors drawn from connected source material could exist within the same persistent universe was novel, and in a major franchise hadn't been done before. The superhero movies we'd seen before had all been in their own little bubbles. There were five Superman movies, a Spider-Man trilogy, scattered Batman movies and two Fantastic Four's, an X-Men trilogy and that horror fest Hulk. They all had their own entertainment value, but none of them acknowledged the others, even though they were all born of their respective DC or Marvel families. 


    • What examples of cross media convergence can you find? 
    The secret to Marvel's success comes from adeptly crossing media boundaries while inviting its audience to participate in creating Marvel's narrative universe.  The company and its characters will continue to influence storytelling and transmedia empire building for the foreseeable future.

    • What examples of technological convergence can you find? Available on DVD, Blu-Ray & Digital Download
    Available on Disney+


    • Where and when was this film released (nationwide, worldwide) and in what cinemas?
    Captain Marvel will arrive in theaters on March 8th. Upcoming Marvel Cinematic Universe movies include Avengers: Endgame on April 26th and Spider-Man: Far From Home on July 5th.
    Release Date: 03/07/2019 PG-13
    43,000 US screens

    QUIZLET

    Have a go to learn and to revise!

    QUIZLET