- There are 2 sets of genre conventions to consider: the fact that you are making a film opening and the fact that your film is a specific genre (like detective, thriller, romcom, film noir, disaster) so first identify the specific genre.
- A film opening will feature a BBFC age-rating. Explain what yours is and why the age-rating is chosen.
- The Production Company ident follows. Comment briefly on yours.
- A film is likely to open with an establishing shot, likely to be a wide shot, setting the scene.
- From the start, the genre will be signalled by the mise-en-scene, lighting, sound and narrative. Is the narrative (characters and action) made up of easily identifiable stereotypes?
- The protagonists appear early on. Their relationship with each other is established. Their clothes and props have meaning. Are they stereotypes that are easily identifiable by the audience?
- Credits identify actors by name.
- Sound codes are important parts of characterisation and plot. The musical soundtrack creates a particular atmosphere.
- The director, director of photography, producer and other credits appear. (Think about the analyses of title sequences that you have done.)
- The film title is in a font or style that creates significance.
- The audience expect a film opening to 'hook' them, to grip them, to present an enigma?
PRE-AL COURSE
- Home
- SPECIFICATION
- PRELIMINARY EXERCISES
- FOUNDATION PORTFOLIO
- CREATIVE CRITICAL REFLECTION
- CRITICAL PERSPECTIVES: PRODUCTION SKILLS
- MEDIA CONCEPTS: THE FILM INDUSTRY
- FILM AUDIENCES
- FILM DISTRIBUTION
- CURRENT ARTICLES
- TEXTS & CONCEPTS : TV DRAMA
- THEORY
- PRE-AL COURSE
- MARKETING CASE STUDIES
- TERMINOLOGY
- MEDIA@UNIVERSITY
- CONNECTING FILMS WITH AUDIENCES
- DISTRIBUTION: CONNECTING FILMS WITH AUDIENCES
Monday, 24 February 2020
CREATIVE CRITICAL REFLECTION 1: How does your film opening use or challenge conventions?
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