Monday, 17 September 2018

THE FILM INDUSTRY: MARKETING LEGEND

Assess the importance of marketing in the media area you have studied. [50]
(CIE 9607/02 Key Media Concepts Section B 2015)

Your exam essay might ask you to write about marketing films, so we prepare detailed case studies that are interesting to read and easy to remember. Here is Legend (Dir.  2015) Working Title. We view the WT website and the Legend trailer.

Read Mark Kermode's review  TOM HARDY DIVIDES AND CONQUERS AS THE KRAYS

Then read this article from  Screen Film Summit: marketing Legend 
When approaching Legend, Hugh Spearing and Studiocanal believed from the start that they had the concept for a hit.
“The reason we got involved in the film was the central idea of Tom Hardy, who was becoming an iconic British actor, playing both of the Kray twins, iconic figures themselves,” said Spearing.
The company took the project to Cannes, showing rehearsal footage of Tom Hardy in character at the festival, an approach Spearing described as highly successful: “It sold incredibly well before it even started shooting.”
In the first week of production, the company released a still of Tom Hardy in character as both Ronald and Reggie Kray; even though the image wasn’t a part of the actual film, it proved very popular, particularly online, and is still used to promote the film today.
The next step was releasing an initial teaser trailer for the film, which quickly became Studiocanal’s biggest trailer ever in terms of online interest. “That meant we knew there was interest” recalled Spearing.
As a result of the buzz generated, he said the company felt confident utilising “a big budget across all types of media”.
In particular, the social media campaign for Legend proved highly successful. “It was our most successful and engaged campaign to date,” recalled Spearing.
The company also managed to make use of the burgeoning stardom of Tom Hardy, who Spearing notes is often reluctant to do much press or social media but in the case of Legend was very engaged.
The resulting hype saw the film open strongly and go on to be one of 2015’s top 20 releases in the UK.  “It didn’t just work in London,” noted Spearing, referencing the film’s success in locations such as Portsmouth, Norwich and Sheffield.

Finally, read how Benjamin Lee's two star review (The Guardian, 9.09.15) was spun into movie marketing gold.


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